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THE SHOOTING NEWSLETTER - APRIL 2004
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By Tom Nordland, Shooting Coach
Volume 6, Issue Number 4, APRIL 2004
Editor: Tom Nordland
E-mail Tom
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ATTENTION: You are receiving this newsletter because you subscribed to it. If you'd like to remove yourself from this mailing list, please see the instructions at the end of this newsletter. Our subscriber list is NOT made available to other companies or individuals. We value every subscriber and respect your privacy.

PLEASE excuse the advertisement paragraph you'll see at the top of this Newsletter. Because I have a "free" service with the Mail List company (Topica), they insert that ad to help them pay for the service. Sorry for the little commercialism.

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IN THIS ISSUE
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1. Welcome from the Coach
2. Purpose of this Newsletter
3. NBA Playoffs ... ugh!
4. "Catch Them Being Good!"
5. A Summer Program: Quality vs. Quantity
6. Cute Story
7. How Relaxed Can the Wrist and Hand Be?
8. An Interesting Description of How To Get to Excellence in Anything!
9. KIDS' KORNER
10. Please Bookmark this Website
11. Shooting Clinics / Private Coaching
12. How to Subscribe / Unsubscribe
13. Contact Information


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1. Welcome from the Coach
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Welcome to my free Monthly Basketball Shooting Newsletter. Each month I write about the skill of shooting in the game today and how it can be more effectively learned and coached. If you like what I'm saying, please tell others about it and suggest they subscribe, too. Remember: Great Shooting CAN be taught!

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2. Purpose of this Newsletter
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This newsletter is a vehicle for communicating what I know about shooting and for a conversation on how shooting can be improved. With your help, I intend to shift the game and help players and coaches everywhere re-discover the Lost Art of Shooting. Thank you for reading this and subscribing to it and sharing it with your friends.
-- Tom Nordland

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3. NBA Playoffs ... ugh!
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I don't intend to dwell very much on what's wrong with shooting in the great game of basketball, preferring to talk about the positive shift that's possible. But Saturday night's game (May 1) between the Lakers and the Spurs had me and probably all of us groaning.

I'm talking about the shooting, and, in particular, the free throw shooting of Shaq O'Neal and Tim Duncan. In the first half Shaq had something like 2 for 9 and Tim made 1 of 6. They finished up 3 for 13 (23%) and 4 for 11 (36%), respectively!!! Combine the stats and you get 7 for 24, 29%! You'd think these were threes, not free throws.

It's just pretty unbelievable that these two remarkable athletes, with all the practice time they put in on a basketball court and all the coaching that's available to them, could perform so abysmally. I've offered my coaching to both of them in various ways. So, probably, has every other real or imaginary "Shooting Coach" in the country. I'm not holding my breath. If any of you readers has a direct connection to either of these great athletes and they trust you, please pass on my name and give me whatever credibility you can. I could help them quickly and painlessly. Thanks.

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4. "Catch Them Being Good!"
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I like this little article in Coach Glenn Wilkes' April 2004 Newsletter (Basketball's Best: http://www.basketballsbest.com). It's aligned with the thinking and practices of the Positive Coaching Alliance (http://www.positivecoach.org).

(Written by Tony Dicicco, from "CATCH THEM BEING GOOD," Penguin Books)

"* But coaching doesn't mean finding constant fault. Simply pointing out errors isn't coaching.
As Benjamin Franklin once wrote, "Any fool can criticize, any fool can condemn, any fool can
complain ... and most fools do!" When you constantly find fault, you haven't constructively
painted a picture of what to do, how to get it right. All you've done is create an atmosphere
where people are living in a constant state of fear, apprehension and worry.

"* We are not going to correct everything we see that's wrong, which is the classic coaching
style. Typically, coaches see something that's a mistake and stop the practice to point it out.
It's called a coachable moment. Instead of coaching the way we usually do, every time we
see something that's wrong, we're going to store it for later; but when we see it done right,
that's when we're going to coach it or celebrate it.

"* It's simply bad coaching to belittle or overly criticize a player in public or in private. You
have to be very careful about what and how you criticize because the last thing you want is
for your players to fear failure.

"* Once you start celebrating a good play, not only will you make the individual player feel
confident, but you'll also find that a glow will surround every other player on the team. Other
players will want to achieve that kind of positive attention and they'll be motivated to strive for it."

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5. A Summer Program: Quality vs. Quantity
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(This is a reprint from May 2001, Issue #25, slightly revised.)

For Coaches: Before you jump on the bandwagon of "Repetitions are Everything" and ask your kids to join a 2,000, 3,000, 5,000 or 8,000 Shots "Club" this summer, may I suggest an alternative? (I even heard of one coach who had an 11,000 shot program.)

How about a SHOOTING-WITH-AWARENESS CLUB?

From my experience, it's the "quality" of the shooting time that matters more than the "quantity." We learn by awareness of differences much more than rote repetitions. Instead of requiring that kids shoot tons of shots, maybe there's a different way to approach it that will increase "learning."

It sounds good to ask (or require) kids to shoot a set number of shots per week or month, and have them record it, keep a log, etc. It seems to be an effective strategy, and some learning will happen just by the huge number of repetitions. It's how a lot of us learned things, but it's a slow way, and oftentimes does not result in the shifts in performance we want. How many people go through their tennis lives with a tentative, ineffective backhand, even though they've hit thousands of backhands? How many golfers spend time at the practice range and don't get any better.

The problem with a regimen of large numbers is that it can lead to "unconscious" practice. The young girl or boy will obey and think it's helping, but maybe it isn't helping as much as it could. Here are some suggestions of coaching advice that could make a huge difference in learning to shoot more effectively:

Ask your kids to spend a certain amount of time on a court consistently doing the following exercises in awareness (maybe a few of these each time they shoot). Copy the ones that appeal to you and write them up or print them out and give them as handouts.

A. HEIGHT
Observe how high the shots are. Look at the bottom of the ball relative to the rim. Do the shots get typically just a few inches above the rim at the highest point, or do they get up to a foot or two or higher? The top of the backboard is 3 feet above the rim, and I believe the top of the white rectangle is 18" above the rim, so those are convenient markers. You might ask them to notice if the height of their shots (bottom of ball) tends to be in the lower half of the backboard or the upper half? Some may find their shots fly even higher than the backboard. That is rare, and usually those are the better shooters.

From my experience, most shots are flat, in the 6" to 18" range above the rim. Players often tell me they think their shots are "medium" high when they only get 1 1/2' above the rim. If they get to 3' above, they think that's a really "high" shot.

High is a relative term, but could probably be considered in the range of 5', 6', 8' above the rim. There is a huge space above the basket to play with. A great exercise is to see how high you can shoot and still make shots or come close. This stretches the players' experiences and expands their vision and capability.

B. USE OF LEG POWER VS. UPPER BODY POWER
Observe where the power comes from when you shoot. Is it mostly upper body -- the arm, wrist, hand and fingers? Or does the power come from the whole body -- lower and upper body muscles, working together?

C. OBSERVE THE RELEASE AND FOLLOW THROUGH
How is the ball propelled? Is it "wristy" (mostly with wrist and hand), or is it more of an arm throw, or are you using the leg drive and shooting with the whole body? What happens with the shooting arm during the shot and afterward? Is the shot a throwing motion or a pushing action? Does the arm straighten fully, or does it stop short of full extension (short arm)? Does it move in the direction of the target and stay there, or does it pull back or move left, right, up or down?

What does your hand do as you shoot? Are the wrist and hand relaxed or tight? Does the hand stay in direct line with the target? ...or does it move to the side or up? Is it twisting or clenching as you shoot?

Is there a feeling of "Letting Go" and Freedom when you shoot, or are you always controlling things and tensing your arm and hand?

D. SPIN
What kind of spin do you usually impart to the ball? If it's a dead ball or if there's side spin or not much spin at all, what is creating that? If it's backspin, is it slow backspin, or medium, or fast? Does it change from shot to shot? Observe carefully.

E. HOW DO YOU CONTROL DISTANCE?
Is it by flipping or throwing more strongly or weakly? Do you vary the leg action or the force of the Release for different distances? Have you ever thought of varying the arch rather than the force?

F. ACCURACY
Spend some time watching the direction of your shots. The rim has an inside diameter of 18" and the ball is about 9-9 1/2" in diameter (regulation size is about 9.5", the intermediate size is about 9", and the junior ball is about 8.5"). Thus you have about 4" left and right of exact center and you can still "swish" a ball. If the ball goes in but brushes the right rim, then the shot was about 4 1/2" right. Thus you can start to be more precise in the feedback you give yourself.

If you hit the left side of the rim with the center of the ball, your shot was ~9" off to the left. It's a good experience to stand under the basket (near out of bounds) and watch balls from other players come into the basket. Observe if they are dead center or off line, and by how much. You'll get a sense of how "big" that basket really is, especially to high-arching shots.

G. DISTANCE
Start to observe where your shots land distance-wise. If you hit the back of the rim and the ball rebounds straight back, then you were ~9" long. If you hit the front of the rim and it bounces back at the same angle, you were ~9" short. If you hit the back of the rim and the ball bounces upward, you can guess that you were 10", 11" or 12" long. Etc. Etc. If you glance the front rim as the ball goes in, then you were 3-4" short.

Play with it. You might even "try" to hit the back rim, thus aiming to be ~9" long, and see what happens. Aim to hit the front rim. Your body will surprise you, once you start to trust it. You can even intend to brush the inside right or left of the rim by moving your vision 4" right or 4" left. (A coach I worked with in Iowa told me he got really good at hitting different parts of the rim to create rebounds for specific players. The only problem was that, when he played in games himself, he forgot to aim for the center of the basket and had to retrain himself.)

Once you have an idea of your direction and distance and then start to play with it, your control of ball flight will improve. If all you notice is if you made the shot or not, the body does not get the feedback it needs to develop subtle control.

H. CONFIDENCE
Observe how confident you feel, or not. If you were to rate your confidence on a scale from 1 to 10, what numbers would you give yourself? Is your Confidence "conditional," meaning that you are confident only if and when you make shots and you lack confidence when you miss? Or do you trust yourself to put the ball in the basket no matter how your perform?

Try unconditional confidence (trust): As you go to shoot, can you JUST TRUST that you're going to do your best and not interfere with things? Doubt and Fear create the problems that you don't want -- tension, hesitancy, awkward physical motion, a tentative finish to the shot. Can you be calm, and just see the basket, intend for the shot to go in, and trust your body to make it happen?

I. NON-JUDGMENTAL FEEDBACK
Can you observe yourself shoot without criticism all the time. Can a missed shot be just that, a missed shot, not a "bad" shot? Can you see and feel exactly what happened? Judgment gets us right away into trying to fix things so as not to look bad. When we "fix" things, we usually over-correct, and add tension in our attempt to stop doing things the "wrong" way.

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These exercises in awareness will lead to great learning! The body learns through choices between subtle alternatives. But it has to know exactly what happened and what created the results in order to create a different end result and learn. If you shoot short one time and then long the next and have no idea how you did either, there will be no real learning.

With attention and patience and accurate, non-judgmental feedback of what's happening, the kids will start to figure things out for themselves. A good coach can then introduce the "distinctions" that matter in shooting and the kids will learn like crazy.

With this kind of awareness, tremendous learning is possible. Within this framework of practice, then"quantity" of repetitions is necessary to cement the learning and develop trust. How many repetitions, I can't say. But I do know learning can happen fast. Hundreds of shots, a thousand, more? Who really knows? It depends on the state of awareness of the shooter, as well as her or his intention, commitment, dedication and trust. It might be just ONE shot or TEN and you've made a huge change in how you shoot.

I'd love your feedback on this Quality vs. Quantity suggestion. Do any of you do that now, emphasizing awareness more than just raw quantities? Thanks.

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6. Cute Story
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"FYI, we just had a tournament this weekend. One of the shots Stephen put up along the baseline went so high, he told me later that he lost sight of the ball while keeping focus on the basket, and waited anxiously for it to come back down . . . dead center! From my view, it looked like the St. Louis Gateway Arch. I think he's starting to believe in the method, just take some work to be more consistent. And he's looking forward to achieving that."

-- Bill Lee, California

(I liked that image of the ball disappearing from the young boy's sight as he kept his eye on the target and him "waiting anxiously" for it to re-appear, and then seeing it come in ... dead center, Swish! My suggestion is just that, to aim high above the basket, letting the ball come down softly, like a butterfly with sore feet. Don't aim high just to aim high, however. Let it be appropriate, as created by a strong leg and middle body force.)

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7. How Relaxed Can the Wrist and Hand Be?
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I keep learning things about the way I shoot all the time. A neighbor has a basket on his garage and I go down there several times a week just to shoot and have fun. It's a kind of meditation for me, I guess. And I keep discovering stuff!

One thing I've been looking at is the function of my wrist and hand in the shot. In my early understandings of how I shoot, I said that I had a "totally" relaxed wrist and hand. Now I feel that isn't exactly correct. It's the word "totally" that shouldn't be there.

My wrist and hand are "basically" relaxed and passive, but they have a job to do before they can totally relax. That job is to keep the ball on the line determined by the arm-straightening action. I discovered this by watching how I shoot right and left handed. With my strong-side right hand, the wrist and hand aren't as relaxed as my left hand was when it did the shooting. And my left handed shot is a bit sloppy when I shoot that way. In looking at that, I saw the wrist and hand are keeping the ball on line. It's a tiny but critical job! Once the ball leaves the hand, then they relax totally and flop forward, still on line. When I do that with my left handed shot, the results improve immediately.

The arm motion determines the direction and supplies a constant amount of power to the shot. The pushing action of the arm is what gets the ball on its path to the basket. If that action is in line with the eye and the target, accuracy is much more assured. If you shoot in line with your shoulder or even the ear, it's not exactly on line and a calculation of an angle has to be made each time you shoot. The most accurate shot you can make is if the eye, hand/ball and target are all aligned and you propel the ball exactly on that line. And ... if the wrist and hand don't interfere.

ACTIVE WRIST AND HAND -- TWO PROBLEMS
I see two problems if you employ the wrist and hand to power or control the ball flight:
1) First is the power problem: If these relatively small, fast-twitch muscles are powering the shot, it's very easy for them to do too much or too little at the last instant ... especially under pressure. Being small muscles, they're not as reliable as the bigger arm muscles and especially not as reliable as the leg and middle body muscles. The shot can be long or short very easily if these muscles are involved.
2) Second is directional: Again, since these are smaller muscle groups, it is easy for them to mis-fire and throw the shot off line, a little left or a little right. With a lot of practice you can train them to keep the ball on line, but they're always suspect. They can change the direction, ever so slightly, at any time. If they're taken out of the picture, used simply to keep the ball on line with what the arm dictates as to direction, the shot is much more predictable and repeatable.

TEST IT OUT
As with all of my coaching, I invite you to test these ideas out. Play with different alignments and see which is the most accurate. Note if your wrist and hand are relaxed or tight. If you totally relax them, does it feel too sloppy and unpredictable? Considering just the Release, play with letting those smaller muscles power the shot, and then let the arm do all the work. See which way is more predictable to you.

If you have some interesting discoveries you want to share, send them to me.

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8. An Interesting Description of How To Get to Excellence in Anything!
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I'm interested in learning and what are the things that help or inhibit it. Last weekend I was listening to a course on tape I have from a wonderful speech coach named Arthur Joseph. His program is called "Vocal Awareness," and he talks about his passion -- speech and vocal expression -- much as I do about shooting. There are a lot of parallels with respect to relaxation, intention, concentration, trusting yourself, free expression, etc.

His description of a progression to Power, meaning Vocal Power in this case, says it very well:
"Power comes from Freedom, and Freedom comes from Letting Go, and Letting Go comes from Knowledge."

SHOOTING EXCELLENCE, SHOOTING MASTERY
If we change the words slightly, I feel it's equally applicable to shooting: "Excellence in Shooting comes from Freedom, and Freedom comes from Letting Go, and Letting Go comes from Knowledge." We can also substitute "Awareness" for Knowledge in this case, as Knowledge can be both intellectual/conceptual AND physical.

THE SWISH METHOD PROVIDES THE KNOWLEDGE
In my Swish video and when I coach a shooting clinic, I give players the Knowledge of how to shoot that allows them to start "Letting Go" in their shooting. It's Letting Go of doubt, fear, of lack of trust, of worry about the result, of thinking who might be watching, etc. and letting the body start to shoot more naturally, more on its own, with less interference. Awareness and feedback then give the body knowledge of results and more and more learning happens. When you know what causes the ball to go left and right, then "straight" becomes possible, not just by accident, but by design.

KNOWLEDGE LEADS TO TRUST AND LETTING GO
When you "know" what you're doing, you instantly have more trust in yourself. The trust leads to Letting Go which brings you closer and closer to your potential. And you will start to exhibit "fearlessness." The Swish Method is a simple method that supplies that sense of knowing.

Letting Go leads to Freedom, freedom from tension and worry and trying hard to shoot "right." To perform at your best, you need to be relaxed and present. Definitely Letting Go will give you that. One of my mentors, Tim Gallwey, of "The Inner Game of Tennis" fame, called this state "Relaxed Concentration." Freedom is like that. When you're free, you're much more apt to be focused and "in the moment" with your shot and open to discoveries and learning.

FINALLY, TO SUPERIOR PERFORMANCE AND, POTENTIALLY, MASTERY
Finally, Freedom leads to power, excellence, mastery, if you will. When the body-brain-nervous system is left to its own devices, it can do incredible things. It's fear and doubt that messes things up. The mastery of a shooting method is easy stuff for the amazing thing we call a human body. Making shots over and over with little variation into a big basket is easily achieved by a fully aware and free body.

THANKS FOR THE UNDERSTANDING, ARTHUR!
It all starts, in Joseph's words, with Knowledge. That makes sense. Knowing what works and what doesn't work, both intellectually and physically, helps you get right to the heart of the matter.

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9. KIDS' KORNER
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(Repeat from Issue #31, Nov. 2001)

HOW TO COACH YOUR FRIENDS OR, GASP, YOUR PARENTS!

When people buy my shooting video, I suggest something that pleasantly shocks them. I suggest that their kids can coach them in shooting. What 12 or 14 year old wouldn't love to be able to coach mom or dad in something? Usually, of course, it's the other way around, the parents teaching the kids.

But if you take something like shooting a basketball, you are probably more skilled than your parents are, especially as you play more and more (and they sit and watch you more and more).

This sounds preposterous, I'm sure. How can a young player coach someone else in something that is being learned? My answer to that is that you will be surprised what you can coach.

THE BEST COACHING IS ASKING QUESTIONS!

When you know how to do something to some level of competence and someone else asks you to help her or him, here's what you can do. (You don't have to be an expert; you just have to know a few key things.)

(1) First, they have to want to be coached!

Make sure they are receptive to the idea. Don't talk them into it. Make it clear they are "asking" for help. Then be clear on what it is they want to be coached in, and then ONLY COACH THAT. Do not try to coach them on something they haven't asked to be coached in. People don't like to be coached when it is "uninvited." In this example the subject is "shooting," and it's assumed you can shoot pretty well and you know how you do what you do. (If you have my video, you will really know what works with shooting, but even if you don't have the video, if you shoot fairly well -- or have any other skill that you do well -- that's enough to get started.)

(2) Secondly determine how long the person wants to be coached.

Don't leave it "open ended," meaning you have (or think you have) permission to coach her or him forever. Set a period (or a series of periods) of 1/2 hour, or an hour, or whatever, and then stick to that.

Here's how it could happen if you have the video: The idea is to watch the video together, and then for the parents to pretend they know nothing about shooting and let their child(ren), YOU, lead the coaching. If the parent is already a good shooter, then ask her or him to use the opposite (weak) hand so she or he is in the role of a beginner. This coaching is possible because the method is so simple and natural and it gets results so quickly.

If you don't have the video yet, then you can try this if you know more about shooting than your parents. Ask them if you can "experiment" with coaching them in shooting. If they agree, and you have a period of time set up, then go for it. And here's what to do:

COACH ONE ASPECT AT A TIME, LIKE HEIGHT
Start by finding one aspect of shooting that is important and focus on that. Let's say it's the height of the shot. (For later sessions you can suggest other "key" areas; for example, spin, use of the leg power, the Set Point, Release, Follow Through, etc.)

Before you start, get in touch with how YOU shoot relative to height, if you don't already know. Let's say you shoot medium high to high, and you want to help your dad or mom learn to shoot that way. The key, as I said above, is that once you have the lesson set up and the action to be coached is determined, then all you really need do is ask questions. An occasional demonstration can also help dramatically, just so it enhances their awareness of what's possible for them.

Step 1: Set up the parameters and a method of communication

Once you have the focus of the lesson determined, then demonstrate a few shots and ask what she or he sees in terms of height in your shots. Find a way for them to rate how high each shot is (the bottom of the ball relative to the rim at the highest point in the ball flight). For this example, we'll use a physical scale... so many feet above the rim.

Step 2: Then get them in action and and ask them to report what they see and feel

In this step, you just ask them to shoot and report to you exactly what happened, no more, no less! With the scale you've set up, they should fairly quickly be able to report that a shot was 1' above the rim at the highest point, for example, or 6" or 2 1/2''. Don't think you know the answer. Don't think you know how high they "should" shoot. Stress to your "student" at this time that this is a mutual discovery process. You and they are both exploring this, and the goal is learning about height and how it's created and how it affects a basketball shot.

After they report, ask them to shoot again and report again what happened. Do this simple process over and over. Their smart bodies will start to try different ways to get power. From that they'll learn about height and how to control it.

Step 3: Don't interfere! They'll do the learning!

DON'T TELL THEM WHAT TO DO!
This is the critical last step of this example. Keep them in the process of inquiry and discovery. Their own experience will be the teacher! If you try to tell them what's right, it will interfere with them learning about height or arch. Instead remain "neutral." Don't know. Be open to anything, though, of course, you know from your own experience that higher is more effective. But you want them to "discover" that same truth, not be told by you because then it's your learning, not theirs.

MINIMIZE JUDGMENTS, YOURS AND THEIRS
One last point here. As a coach, it is very important not to let judgments come in to your assessment of their performance. If you act excited when they shoot higher or when the ball goes in, they'll then try to repeat that to please you. Stay as neutral with your emotions as you can. A shot is just a shot. A miss is no different than a make, if you are truly exploring height (or whatever aspect of shooting you choose). Too many coaches become cheerleaders for performance, and this robs the student of the value of pure awareness without judgments. If you want to be a cheerleader, make it for their awareness, which is how they will best learn.

YOU CAN COACH ANYTHING THIS WAY
What's beautiful about this way of coaching is that you don't have to know a lot about something to be an effective coach. If you know relevant questions to ask, you can powerfully help any student learn. (If you can't think of a question, you can always use the old standard, "What happened?" This will get them reporting on what actually happened, what was "real," as opposed to all the things that didn't happen or should have happened or might have happened, etc.)

TEACH AWARENESS AND YOU CAN'T MESS IT UP
As a coach, see if you can just be a facilitator for awareness! Learning happens by awareness, not by you telling or demonstrating things. Yes, sometimes, a demonstration is just what's needed, and some people can learn by being told what to do. But most of us learn purely by awareness of what we do relative to a goal or intention. If we discover that higher is more effective and we just observe how high we shoot, our amazing bodies will start to experiment with a different way to use leg power or maybe a change in the shot motion from a throw or flip to a push might be appropriate.

Curiosity, exploration, discovery, openness, not knowing. These are the qualities of a Learner. Invite your parents to examine this stuff with you and not know the outcome. What will happen is incredible learning and joy. And they'll call you a wonderful coach!

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10. Please Bookmark this Website
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I invite you to bookmark my Website so you can go there easily to catch my latest comments on shooting. You can read about my video there (including endorsements, testimonials, reviews and an overview of the video), my coaching, and the many articles on shooting I've written. You can see video clips and archived back issues of this Newsletter and, of course, subscribe, if you're not already getting this on a regular basis.

Please tell others about this newsletter, my site, and my video. Forward the newsletter to them and suggest they read it and the many archived issues. Send them the URL (http://www.swish22.com) and let them know there's a proven method for powerful shooting.

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11. Shooting Clinics / Private Coaching
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Clinics planned for May and June:

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EAST PALO ALTO, CALIFORNIA
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Saturday, May 22nd, and Saturday, May 29th

Two more 4-hour shooting Clinics are planned for Eastside Preparatory School in East Palo Alto.
... Saturday, May 22, 1-5PM
... Saturday, May 29, 1-5PM

Open to ages 11 and above (younger with special permission).

For the details, prices, how to enroll and a PDF you can download, go to this page: Clinics

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SANTA MARIA, CALIFORNIA
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Thursday, May 6th

One Players' Clinic, May 6th, at Lakeview Jr. High School
... Thursday, May 6: 4:30-8:30PM

Open to ages 11 and above (younger with special permission).

For the details, prices, how to enroll and a PDF you can download, go to this page: Clinics

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OJAI, CALIFORNIA
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Friday through Sunday, May 7, 8, 9

A Coaches' Training and three players' clinics at Matilija Jr. High School in Ojai

Coaches' Training:
...Friday night, May 7
...... 6-9PM: A Coaches' Training

Players' Clinics, open to ages 11 and above (younger with special permission):
...Saturday, May 8
...... Clinic #1, 4 hours: 9AM-1PM
...... Follow up Clinic #2 (for those who took #1): 3 hours: 2:30-5:30PM

...Sunday, May 9
...... Clinic #3, 4 hours: 1-5PM

Open to ages 11 and above (younger with special permission).

For the details, prices, how to enroll and a PDF you can download, go to this page: Clinics

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DUARTE, CALIFORNIA
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Monday, May 10th

One 4-hour players' clinic at Duarte High School
...Monday, May 10: 4-8PM

Open to ages 11 and above (younger with special permission):

For the details, prices, how to enroll and a PDF you can download, go to this page: Clinics

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WESTCHESTER, CALIFORNIA
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Tuesday, May 11th

One 4-hour players' clinic at the Westchester Recreation Center
...Tuesday, May 11, 4:30-8:30PM

Open to ages 11 and above (younger with special permission):

For the details, prices, how to enroll and a PDF you can download, go to this page: Clinics

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SEATTLE, WASHINGTON
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Tuesday & Wednesday, June 22nd & 23rd

Three players' clinics at the Ballard Community Center, Seattle

Tuesday, June 22:
... Clinic #1: 9AM-1PM
... Clinic #2: 2:30-6:30PM

Wednesday, June 23:
...Clinic #3: 9AM-1PM

Clinics open to ages 11 and above (younger with special permission):

For the details, prices, how to enroll and a PDF you can download (as soon as it's completed), go to this page: Clinics

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Additional Clinics being considered now:

· Spokane, Washington: Possibly June 24th

If you'd like to organize some shooting clinics or camps, contact me. I'll be doing some sessions around the country this year. I'll also be scheduling Coaches' Trainings at each stop as much as possible, too. Stay in touch for them.

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12. How to Subscribe / Unsubscribe
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13. Contact Information
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Tom Nordland, Shooting Coach
325 Crows Nest Drive
Boulder Creek, CA 95006
Website: http://www.swish22.com
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Tel: 888/SWISH-22 (888/794-7422)
or 831/338-4647
Fax: Call above #'s to get fax # and to get fax turned on.
E-mail Tom
Creator of the video "Swish - A Guide to Great Basketball Shooting"
For a Renaissance in Shooting!
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Special thanks to E-ZineZ.com for helping format this Newsletter.
(http://www.e-zinez.com)

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(c) Copyright 2004 Tom Nordland
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