Return to Newsletter Index page


------------------------------------------------------------------------
THE SHOOTING NEWSLETTER - JULY 2002
------------------------------------------------------------------------
By Tom Nordland, Shooting Coach
Volume 4, Issue Number 7, July 2002
Editor: Tom Nordland
E-mail Tom
------------------------------------------------------------------------

ATTENTION: You are receiving this newsletter because you subscribed to it. If you'd like to remove yourself from this mailing list, please see the instructions at the end of this newsletter. Our subscriber list is NOT made available to other companies or individuals. We value every subscriber and respect your privacy.

PLEASE excuse the advertisement paragraph you'll see at the top of this Newsletter. Because I have a "free" service with the Mail List company (Topica), they insert that ad to help them pay for the service. Sorry for the little commercialism.

==========================================
IN THIS ISSUE
==========================================

1. Welcome from the Coach
2. Purpose of this Newsletter
3. Lists of Great Shooters
4. What "Matters" in Shooting...
5. "Coaching Thoughts & Suggestions" Collection, Part 4
6. KID'S KORNER
7. Please Bookmark this Website
8. Shooting Clinics / Private Coaching
9. How to Subscribe / Unsubscribe
10. Contact Information

------------------------------------------------------------
1. Welcome from the Coach
------------------------------------------------------------

Welcome to my free Monthly Basketball Shooting Newsletter. Each month I write about the skill of shooting in the game today and how it can be more effectively learned and coached. If you like what I'm saying, please tell others about it and suggest they subscribe, too. Remember: Great Shooting CAN be taught!


------------------------------------------------------------
2. Purpose of this Newsletter
------------------------------------------------------------

This newsletter is a vehicle for communicating what I know about shooting and for a conversation on how shooting can be improved. With your help, I intend to inspire a Renaissance and help players and coaches everywhere re-discover the Lost Art of Shooting. Thank you for reading this and subscribing to it and sharing it with your friends.

------------------------------------------------------------
3. Lists of Great Shooters
------------------------------------------------------------

Recently a "Swish" friend sent me the list below by SportsLine.com Executive Editor Mike Kahn and asked who my favorite shooters are/were. In replying to him, I recalled a list from the Oakland Tribune at All Star Game time in 2000, and include that for you below, too. I wouldn't want to try to make an all-time list. I have some favorites (shown at the bottom), some of whom are in the lists, but I have not seen the form of most of these shooters, so I can't comment on that.

Most players are on these lists because of their impressive stats. However, some of these shooters didn't have the best technique -- what I would call a "repeatable" technique -- but they shot well under pressure anyway. They had great "mental" skills, like concentration, confidence, and a "will" to make their shots. Without seeing them shoot, I can't comment on their technique.

If you know how I can get or see clips of some of these shooters, please let me know. There must be websites that have archived footage of shooters. Thanks for any help with that.

"Bird, Jordan stand out among best all-time shooters"
By Mike Kahn, SportsLine.com Executive Editor

Top 14 shooters of all time (with lifetime averages and percentages):
1. Larry Bird, 6-9, F, 24.3 pts. and .496 pct.
2. Michael Jordan, 6-6, G, 31.5 pts. and .505 pct.
3. Jerry West, 6-2, G, 27.0 pts. and .474 pct.
4. Oscar Robertson, 6-5, G, 25.7 pts. and .485 pct.
5. George Gervin, 6-7, G-F, 26.2 pts. and .511 pct.
6. Bob McAdoo, 6-10, F/C, 22.1 pts. and .503 pct.
7. (Tie) Bernard King, 6-7, F, 22.5 pts. and .518 pct.;
Alex English 6-7, F, 21.5 pts. and .507 pct.
9. Rick Barry, 6-7, F, 24.8 pts. and .461 pct.
10. (Tie) Pete Maravich, 6-5, G, 24.2 pts. and .441 pct.;
Calvin Murphy, 5-9, G, 17.9 pts. and .482 10.
Sam Jones, 6-4, G, 17.7 pts. and .456 pct.
13. Lou Hudson, 6-5, G/F 20.2 pts. and .489 pct.
14. Dale Ellis, 6-7 G/F 15.7 pts. and .479 pct.

According to Sportswriter Carl Steward, Oakland Tribune, 2/12/00:
(This was written for the 2000 All Star Game in Oakland)

Top 25 all-time
Jerry West
Larry Bird
Bob McAdoo
Lou Hudson
Pete Maravich
Bill Sharman
Fred Brown
Calvin Murphy
Reggie Miller
Michael Jordan
Alex English
Jerry Lucas
Oscar Robertson
Dan Issel
Hal Greer
Walter Davis
Joe Fulks
Sam Jones
Jack Twyman
Louis Dampier
Eddie Johnson
Paul Arazin
Mark Price
Byron Scott
Joe Dumars

Top 15 then playing (Feb. 2000):
Reggie Miller
Glen Rice
Jeff Hornacek
Del Curry
Dana Barros
Wesley Person
Steve Kerr
Alan Houston
Mitch Richmond
Dale Ellis
Chris Mullin
Ray Allen
Lindsey Hunter
Hubert Davis
Sam Perkins

-------------------------------------------------------------------
Some of my favorite contemporary shooters are:
Jeff Hornacek, Utah, retired
(Jeff's my all-time favorite. Adam Keefe said he was a
"human highlight film" in practice with his shooting.)
Chris Mullin, Golden State, retired
Detlef Schrempf, Seattle, Portland, retired
(Detlef lost by a whisker to Larry Bird in an NBA 3-Pt
Championship long ago.)
Steve Kerr, Portland
Mark Price, retired

-------------------------------------------------------------------
Some of today's players not mentioned above whose
shooting form I like. Some are just catch and shoot
shooters, others shoot well off the dribble as well.
Ray Allen, Milwaukee
Mike Bibby, Sacramento
Danny Ferry, San Antonio
Michael Finley, Dallas
Steve Nash, Dallas
Dirk Nowitzki, Dallas
(Three shooters -- that's why Dallas is so tough!)
Pat Garrity, Orlando
Grant Hill, Orlando
Danny Manning, Dallas
Mike Miller, Orlando
Chris Mills, Golden State
Michael Pemberthy (was with the Lakers)
Eric Snow, Philadelphia
Rasheed Wallace, Portland

------------------------------------------------------------
4. What "Matters" in Shooting...
------------------------------------------------------------

When I do clinics and camps, I've begun stressing "the things that matter" when it comes to shooting. In my research into this subject, I've come to identify a few things that really make a difference. I'd like to discuss them here:

1) THE HAND MATTERS
First, a solid grip matters, with the fingers spread wide apart (with no tension), and the ball held with a little finger-pad pressure to increase control. That pressure in the pads (where the fingerprints are) creates the gap at the bottom of the palm that every coach wants to see.

In the Setting and release of the ball, the position of the hand really matters. By that I mean it's important that the hand be directly behind the ball and that it's aligned with the shooting eye and target. Then when you straighten your arm in the direction of the basket, the ball is in line, and it stays in line if the wrist and hand don't pull or push it off line. A Set Point above the eye is preferable, so it's less easy to block, but below the eye for younger, smaller players can work equally as well.

When the hand is in line with eye and basket, the elbow is NOT directly under the ball. It is off to the side from 4 to 6" or more, depending on the length of your arm. That's just how we are built. Note if you bring the elbow under the ball, it will tilt the hand off the target.

A coach in northern Minnesota who hosted clinics last month was fascinated by this and could see it was a major thing. He had always thought that the elbow needed to be brought into the body and under the ball. He would tell his girls that he should not be able to see the elbow from behind. But now he sees the advantage and simplicity of having the hand matter more than the elbow and he has shifted his coaching.

(Note: The elbow position is something that does NOT matter in my opinion. If your hand is aligned with the shooting eye and basket (with the fingers basically vertical), the elbow will be a little to the side. This is determined by the way the hand, wrist and arm are built. The elbow will not be a lot to the side [called "flying" elbow"], because that would mean the hand is no longer aligned. The elbow position can be ignored.)

2) STANCE MATTERS
An "open" stance is important for one-handed shot. By open, I mean that, for right handers, the body is rotated counter-clockwise, with the right foot and right shoulder forward. How far open is a personal choice, but most great shooters turn as much as 45°. This allows you to bring the hand up to the Set Point without any tension in the shoulder and arm. Secondly, it supports a one-handed motion toward the basket. If you try to keep things "square," with the shoulders perpendicular to a line to the basket, you're introducing tension. It's a "one-handed" action, let the body move the way it wants to.

This stance allows you to be more natural and tension-free as you bring the ball to the Set Point and release it on it's flight to the basket. A "square" stance is relevant to a two-handed set shot or free throw, shots that are basically obsolete.

3) A SET POINT IN FRONT OF YOUR HEAD MATTERS
A Set Point with the back of the ball roughly in line with the front of the head encourages a pushing action (see "Release" below) to propel the ball, which is desirable. Note this is relevant to shooters who have the strength to shoot from above the eyes. If your Set Point is below the eyes, then the back of the ball can't be anywhere but near the front of your body.

If you bring the ball above the head and overhead too far, it sabotages the idea of a push and requires a wrist flip, arm throw or sling to get the ball moving toward the basket. Those latter actions create flat, hot shots with a lot of variables. A pushing action aimed high above the basket gives you a simple and more "repeatable" motion, much more predictable.

4) THE USE OF LEG POWER MATTERS
From my experience and research, I can see that shooting on the way up is the most effective way to shoot for most shots. It both powers the shot and helps stabilize it. Shooting at the top of the jump is an old idea that never worked very well. The early and first "jump shooters," like Joe Fulks, were exceptions. They were guys who jumped very high and then could shoot quite well with just the arm and hand action. It's an unstable action, and few people can do it well, then or now. Shooting on the way up is much easier and more quickly learned.

The exception to this is inside turnaround jumpers by the big players who can jump high. For them, it's important to elevate before shooting, so some "hang time," as I like to call it, is merited. This works for the 5', 6', 8' shots and a little longer. However, I can see that it's important to "catch" some of the leg drive even for these shots, to help power and stabilize the shot, at least 10-20% or more. You can also raise your Set Point for these shots to allow you to make a quicker Release without worrying about being too strong. An example of this way of shooting is Rasheed Wallace of Portland. Watch how he sets the ball very high but still has 4-5 inches of arm to straighten so he can have the same Release every time. He also shoots near the top but not "at" the top. When he shoots longer shots, he lowers his Set Point.

5) HEIGHT MATTERS
Most players today have flat shots. The bottom of the ball with their shots may not get more than 12 to 18 inches above the rim. The result is both a "hot" shot (very active, liable to spin or jump out of the rim) and a trajectory that creates a small landing area, a flat oval to the ball. When you shoot higher, to 2 1/2 or 3 feet or more, the basket appears larger to the ball. If you can get up to 4 or 5 feet or higher, the basket appears "huge" to the ball, and gravity has a chance to slow it down so the ball lands more softly. The "shooters's bounce" is what we call that soft landing shot that often finds the center of the basket after hitting the rim.

6) THE RELEASE MATTERS
Most players today are not consistently good shooters because their shots have too many variables. That explains why they can make some but then miss a bunch. Under pressure it becomes even less controllable. If you develop a Release action that is a constant, with relaxed wrist and hand as I suggest, then when you go to shoot it is not a question of how many muscles, only WHEN to shoot and HOW HIGH to aim. The most repeatable motion is a pushing action at the same speed and force every time. I suggest it be at about 70-75% of maximum, something you can do all day long without hurting your elbow. Make it a full arm-straightening action, what I call "to the end-of-the-arm," which makes it easy to learn and remember. It's really the simplest possible motion. Changing the angle of the shot is how you control distance.

7) THE FOLLOW THROUGH MATTERS
Although you can shoot with a short-armed action or with an arm-straightening action which is then quickly pulled back or moved to the side or up/down, it's more effective to hold the Follow Through for an extra second or two, at least until the ball reaches the basket. When I do that, I notice my shots have more power and tend to be more accurate. That little bit extra connection to the target can make a big difference.

When you're shooting long shots, three's especially, the Follow Through really matters! You cannot afford to be off by more than a degree or two from that range. A connected and strongly focused Follow Through helps you keep the ball on a good line to the basket.

8) SPIN MATTERS
It matters what kind of spin you create on the ball. If it is sidespin or a dead ball, it indicates you are doing something with your wrist and hand that interferes with the natural, medium backspin you get when you simply push the ball and let it roll off the fingertips. Also, backspin helps stabilize ball flight.

Take some shots using a lot of wrist and hand action and watch the spin. You will impart different speeds of backspin, depending on how hard or fast you drive the ball. Then just push upward with a relaxed wrist and hand (the hand will bounce if the wrist is totally relaxed) and see what you get. If the arm-straightening action is done pretty quickly, you'll see the spin is medium fast. The speed of the spin depends on how quickly you straighten the arm, but when you can learn to do it pretty consistently, the spin will become consistent, too.

9) VISION ON TARGET MATTERS
It's important that you keep your eyes on the target (the basket) during the Follow Through rather than looking up to observe the ball. Looking up takes you away from completing the action and interrupts concentration on where you are going. If you want to check your spin or height, then do it on purpose in practice, but in normal shooting always keep your eyes on the target.

10) MENTAL STATES CAN MATTER
Of course your mental state can matter a lot. If you are secure in your technique and trust yourself to perform when it counts, then there is little happening mentally. You see the opening, you see and connect to the basket, you do your usual shot routine and trust yourself to pull it off. There is no need for mental thought.

Mostly the problem is "negative" mental states that interfere with performance. If, as you go to shoot, you are filled with doubts and fear of missing, it will be difficult to perform at your potential. If your technique is questionable -- if it's "flawed" -- then, of course, you won't have much confidence in it. To me that's the way most players shoot. Their techniques are not that consistent and predictable, so when they shoot, they don't know exactly what's going to happen. If they make a shot or two, their confidence rises. If they miss, it falls.

Great shooters have flawless technique and a high level of confidence and trust in themselves. It isn't "positive thinking" -- "I am a good shooter, I am a good shooter." It's a confidence that comes from the success they have. It's not contrived. If you know what to do and can do it, what's the big deal? Of course you will trust yourself!

When good shooters miss, they know what misfired and can make self corrections the next time. When they are truly on, they can make shots all night from everywhere.


When I coach shooting, I take players through exercises that teach them these things that matter. When they practice shooting with awareness of these areas, they come to see and understand more effectively how shooting works. The process of shooting becomes less and less complicated and difficult. Results come quickly so they come to trust the method and themselves. They know what to practice so shooting is no longer a mystery.

------------------------------------------------------------
5. "Coaching Thoughts & Suggestions" Collection, Part 4
------------------------------------------------------------

I have now placed a fourth document in my "For Coaches" section that has additional coaching ideas in mostly a Q&A format. You can go to the web page to read the items, with links from and back to the Index to make the reading easier than in a newsletter. Here are links to all four collections:

Collection #1
Collection #2

Collection #3
Collection #4 <--- New!

------------------------------------------------------------
6. KIDS' KORNER
------------------------------------------------------------

Basketball is fascinating! Shooting well is a thrilling physical act!

In my travels I meet a lot of young players who deeply love basketball. They attack it with a passion and fever that is inspiring to me. It is truly a great game, when it's approached that way, as a love, as a passion.

I'm sure you love to see yourself perform well. I know we all need to prove ourselves in different things. Basketball is one of those arenas where we can see how we're doing, how much we're learning, how we learn! The basket grades us as we strive to put the ball into it. It gives a readout of how focused and concentrated we are. We can see how much we're trusting ourselves to do things.

Basketball is also a great team game. You interact with teammates and coaches on a deep level, and it can be an exciting arena to be in. Give it your best effort, all the time. Ask for coaching in those areas where you're weakest.

A LIFE LESSON IN ATTITUDE

I just got an email from a WNBA player I know. Her career seemed to be in a tailspin on the team she was playing on this season. Her minutes were way down, her points were down, and she just wasn't playing much. She didn't know why, but that was her predicament. She even thought her career could be ending.

But then she had a shift, a mental shift! She decided that, rather than complain and be depressed by her lack of minutes, she could become a "cheerleader" for the team and give it all she had whenever she did get a chance to play. It didn't change her minutes, but it changed her experience and, I'm sure, the experience people around her had of her!

I happened to watch her on TV for a few minutes during this time and I saw an "unstoppable" player, moving quickly, powerfully and gracefully on the court. Even though she didn't play very long, she was going non-stop, trying to upset the opponents at every chance on defense, and constantly moving and causing things to happen on offense, taking shots when she had an opening. I think she missed the couple of shots she got, but they were good shots and could have dropped. The main impression I got was that she was a "force to reckon with" on the court.

So, get this, her "attitude" changed, not her physical predicament. Her minutes were not changing, but who she was as a person had changed.

I was aware of her situation and could read the stats, usually few shots, few points. Then one day I was looking at the stats and saw her name on a different team and she was getting shots and points. I was very surprised. It was a team she used to play for. Obviously she had been traded, and in just the few games since the trade, she's playing 4 times the minutes and scoring 5 times the number of points she was averaging. She's now a key player on the new team. She feels great, is making 50-60% of her shots, has a whole new future ahead of her.

--------------------------------------------------------------
She put it this way: "I can't really tell you what's happened or what's happening. I'm still a bit confused about the whole thing. It definitely came as a shock to me. I had pretty much resigned to my fate. I'd finally let go of my bitterness towards the whole situation and I was able to be happy in my role as team cheerleader. The trade was completely out of the blue, on the last day allowed for trading. I hadn't even thought about the possibility since the pre-season. When I got out on the court for [for the new team], I felt the same way I've been feeling over the past season [ready and able to play].

"Since I'd already accepted the decline and even the bottom of my career, I felt no pressure at all. I just went out and enjoyed the minutes I was getting. I never really understood why I wasn't getting minutes (on my old team). I don't understand why I'm getting minutes now. But things have really changed. I think my career just got extended by a few years and I'm exhilarated to be home. Plus, my shot has been excellent ever since I put on my new (old) uniform. I'm just going along with the ride right now and enjoying each minute I spend on the court."
--------------------------------------------------------------

A song lyric: "If you can't be with the one you love, love the one you're with!"

The lesson here is that you can't always change the environment you're in, but you can change who you are being, your attitude. If you're feeling sad or discouraged or unappreciated, you're probably showing that feeling. Your body language is picked up by others and may serve to keep you in your predicament.

If you can catch this "negative" behavior and make a switch (for example, to being appreciative for what you have, being grateful, being open, being loving, being optimistic, being fearless, etc.), you can often transform your situation. At the very least it will be more fun and teach you how you are in control of who you are "being." Your "new" you will affect your surroundings and the people you are with. This example has a trade of teams that came completely out of the blue. She didn't expect it, wasn't even asking for it, but maybe her attitude shift affected her future. Maybe it was just a lucky thing, but then luck comes more to those who work hard, love life, look for opportunities, and believe in new possibilities around every corner.

------------------------------------------------------------
7. Please Bookmark this Website
------------------------------------------------------------

I invite you to bookmark my Website (http://www.swish22.com) so you can go there easily to catch my latest comments on shooting. You can read about my video there (including endorsements, testimonials, reviews and an Overview of the video), my coaching, and the many articles on shooting I've written. You can see video clips and archived back issues of this Newsletter and, of course, subscribe, if you're not already getting this on a regular basis.

Please tell others about this newsletter, my site, and my video. Forward the newsletter to them and suggest they read it and the many archived issues. Send them the URL (http://www.swish22.com) and let them know there's a proven method for powerful shooting.

------------------------------------------------------------
8. Shooting Clinics / Private Coaching

------------------------------------------------------------

For the latest news about Clinics, Camps and Coaches' Trainings across the country, go to this page: Clinics & Camps.

Note I'll be in Idaho and Minnesota in August for clinics and one Coaches' Training. Check the clinic website for the latest details. Other places and dates are being planned as we speak (read).

If you'd like to organize some shooting clinics or camps, please call or email me. I'll be scheduling Coaches' Trainings at each stop as much as possible, too. Stay in touch for them.

------------------------------------------------------------
9. How to Subscribe / Unsubscribe
------------------------------------------------------------

To SUBSCRIBE to this Newsletter, click on the link below.

***Important: Please note that when you "subscribe," Topica, the company that manages the free list for me, will send you a "confirmation" email and offer you two ways to "confirm." I SUGGEST YOU USE THE SECOND OPT ION!

The first option is to click on a link to Topica where they will ask you open a free account with them. This is okay to do, as they have good free mailings lists, discussion groups, etc., but I think most of you just want to subscribe to the newsletter. You do that most easily by the second option, just REPLYING to the email. That's all you need to do, no need to key anything.

Click on this email -- it will start the subscription process: Subscribe me.

To UNSUBSCRIBE from this Newsletter, just send a blank email to the following: Unsubscribe me

------------------------------------------------------------
10. Contact Information
------------------------------------------------------------
Tom Nordland, Shooting Coach
Boulder Creek, California
For a Basketball Shooting Renaissance!
------------------------------------------------------------
Website: http://www.swish22.com
Tel: 888/SWISH-22 (888/794-7422)
or 831/338-4647
Fax: Call above #'s to get fax # and to get fax turned on.
E-mail Tom
------------------------------------------------------------
Special thanks to E-ZineZ.com for helping format this Newsletter.
(http://www.e-zinez.com)
------------------------------------------------------------
(c) Copyright 2002 Tom Nordland
------------------------------------------------------------

Return to top

Return to Newsletter Index page